Screenwriting Book: Use St. Patrick as Inspiration for Your Hero’s Actions

Dear Friends,

Aspiring screenwriters must accustom themselves to looking everywhere for inspiration when it comes to developing a believable story arc for their hero. What are the qualities that make a hero heroic, and how can you create a persona that takes on a life of its own beyond the story itself?

The yearly over-the-top observation of St. Patrick’s Day shows what can happen with strong hero development. Even though St. Patrick himself lived about 1600 years ago, his story still resonates with followers and believers to this very day. The basics of his story, from his birth in Britain to wealthy parents, his kidnapping at the age of 16 by Irish raiders, his personal conversion to Christianity, and his eventual devotion to the Irish people, are all well-known. But what was it about his story that transcends time and culture, fostering world-wide love and adoration?

The answer is that he touched peoples’ hearts, and that is what the successful screenwriter must also accomplish with his hero. My book, The Story Solution: 23 Actions All Great Heroes Must Take, provides insights on how to construct an emotional experience that leads readers to discover for themselves the real merit of our unspoken, subtextual themes. In order to be effective, all stories must impart emotion.

The most crucial job when beginning a story is to introduce the lead in a way that fosters immediate character sympathy. An actual recipe exists, a list of nine ingredients that elicit sympathetic responses when connecting readers to your lead.  The more of these nine character attributes you include, the more emotionally effective your story becomes:

1. Courage
2. Unfair Injury
3. Skill
4. Funny
5. Nice
6. In Danger
7. Loved
8. Hard-Working
9. Obsessed

How many of these attributes were exhibited by St. Patrick, and how many are shown in the characters you are developing? If your character has less than six of these attributes, your story may be in danger. There are other qualities of character that can help create a hero an audience will want to root for, but these are the never-to-be-ignored basic nine. Use them liberally.

To help you understand more about creating heroic characters, I invite you to download a sample chapter from my book or visit Amazon.com for a look inside at some of the chapters and initial pages. The “23 Steps All Great Heroes Must Take” is an easy to understand paradigm that supports writers and filmmakers with the interconnecting, powerful storytelling elements they need. Use my revolutionary Hero Goal Sequences blueprint for writing blockbuster movies.

Here are some videos that will help you avoid writer’s block.

• Toni Morrison talks about her motivation for writing
• Get Results!The best motivation compilation video of 2013
• Motivational quotes from the GREATS on preparation
• Will Smith shares his secrets of success

Thanks for your support of the book, god luck and Happy St. Patrick’s Day!

Eric Edson and Staff


About The Story Solution:  The Story Solution was written by accomplished screenwriter Eric Edson. It reveals the 23 actions used to create dynamic, three dimensional heroes and link all parts of a captivating screenplay. He also covers screenwriting tips, screenwriting resources, and screenwriting books. Visit the website and Facebook page for more screenwriting tips and resources.

Screenwriting Blog: How To Get Free Publicity – Danek Kaus Reveals Secrets

 

So let’s say that you followed all of the advice in my book, The Story Solution: 23 Actions All Great Heroes Must Take, and have actually written the great American screenplay. Now how do you go about getting the attention of producers, agents and investors who can help transform that screenplay into a big screen success?

One skill I recommend that every screenwriter should know about is how to market effectively. In his book You Can Be Famous! Insider Secrets to Getting Free Publicity, author 
Danek Kaus reveals all the secrets you need to know. Dan is an author, journalist, publicist, copywriter and ghostwriter. He has published hundreds of articles in about 75 newspapers and magazines, and dozens of websites. His publicity clients have been featured in such media outlets as USA Today, CNN, The New York Times and hundreds of newspapers, radio and TV shows. He is the co-author of Power Persuasion: Using Hypnotic Influence to Win in Life, Love, and Business. If you want to advance your career as a screenwriter, this book will help create the name recognition that can make things happen.

Just suppose you could appear on a national television talk show to discuss your screenplay. What would that mean to you? Or imagine a great article on you in the local paper. Do you think that would help attract the attention of those in the business? You Can Be Famous reveals:

• The benefits and types of fame
• The 10-second rule
• How to attract the media’s attention and become a media darling
• How to talk to journalists
• What you should (almost) never say to a journalist
• The kinds of stories the media want most
• How to do a national publicity tour without leaving home
• How to get on TV talk shows
• TV interview tips form the Seinfeld TV show dialogue coach

There are even Question and Answer sessions with journalists who tell you how to get them interested, and what approaches turn them off. Visit Amazon.com to view the Table of Contents and first few pages so you can see for yourself how getting free publicity might be able to help jumpstart your screenwriting career.

Learn More About Screenwriting: I’m sharing my screenwriting secrets with members of the Palm Springs Writers Guild at their monthly meeting on Saturday, April 5, 2014. In a presentation entitled, “Cracking Screen Story Structure,” I’ll discuss my original concept of a “Hero Goal Sequences” story paradigm that can be used to build dynamic screen stories and keep producers and audiences glued to their chairs.

About The Story Solution:  The Story Solution was written by accomplished screenwriter Eric Edson. It reveals the 23 actions used to create dynamic, three dimensional heroes and link all parts of a captivating screenplay. He also covers screenwriting tips, screenwriting resources, and screenwriting books. Visit the website and Facebook page for more information.

Eric Edson has written seventeen feature screenplays on assignment for such companies as Sony, Warner Brothers, Disney, 20th Fox, ABC Motion Pictures, Lifetime, Showtime, NBC, and TNT. He has also written for episodic television. He is Professor of Screenwriting and Director of the Graduate Program in Screenwriting at California State University, Northridge, and lectures through the UCLA Extension Writers’ Program, the largest screenwriter training center in the world. Eric holds a Master of Fine Arts degree in Screenwriting and Film Directing from The American Film Institute, and a Master of Fine Arts in Playwriting from UCLA. He also earned his Bachelor of Arts degree in English at UCLA. Eric has been a member of The Writers Guild of America since 1981. He lives in Calabasas, California. Eric can be reached at: eric@thestorysolution.com

 

 

'Amazing Spider-Man 2': What's the verdict?

"The Amazing Spider-Man 2" might not be so amazing, judging from some early reviews of the anticipated May 2 sequel.

The Marc Webb-directed feature again stars Brit actor Andrew Garfield as the web-slinging Spider-Man and his girlfriend, Emma Stone, as on-screen love interest Gwen Stacy.

A sequel to 2012's franchise reboot "The Amazing Spider-Man," "Amazing 2" is supposed to pack in even more suspense and star power. Jamie Foxx plays the villain Electro, Paul Giamatti is Rhino, and Dane DeHaan is the Green Goblin.

Yet on RottenTomatoes.com, "The Amazing Spider-Man 2" is on the wrong side of "fresh."

"I'm sorry people, the most I can go with is 'adequate,' " says Rolling Stone's film critic, Peter Travers. "I would call this movie 'The Adequate Spider-Man 2.' "

Uh oh.

The problem, at least according to Travers, is that all the villains, who were supposed to add thrills, instead make the movie "top-heavy."

The Washington Post's Ann Hornaday, too, thought the sequel added up to "an unforgivably long assemblage that never coalesces into a compelling story."

And over at the Wall Street Journal, critic Joe Morgenstern was straightforward. "How bad is this one, though? Amazingly so," he critiques. "Villainy abounds, but the villains are strident contrivances. Spider-Man flies, but does so dutifully, without joy."

Entertainment Weekly's Chris Nashawaty tried to be more measured, noting that "there's a lot riding on 'The Amazing Spider-Man 2,' not just commercially (although there is that) but also as a signpost of what lies ahead."

"Thankfully," the review continues, "director Marc Webb's dizzy, slickly enjoyable sequel gets a ton right. It's a Marvel spectacle that manages to deftly balance razzle-dazzle, feel-it-in-your-gut slingshot moments of flight and believable human relationships. There's psychological weight to go with all of the gravity-defying, webslinging weightlessness."

The New York Times' Manohla Dargis was also kinder to Spidey, thinking the movie moved along "nicely ... until a late, badly handled turn for the grim."

The saving grace for Dargis and a few others was the starring actors. Stone, Dargis writes, "brightens" the sequel, while Garfield, "who's making a career out of playing delicate flowers, fits the role, suit and moist sniffling fine."

If Garfield checks out the Times' review, he might not be pleased with the verdict but will probably appreciate the attentiveness to his sensitive side. As the 30-year-old actor told CNN at "The Amazing Spider-Man 2's" New York premiere, personality traits he may have felt insecure about actually come in handy when he portrays Peter Parker.

"I think my gifts, weirdly, are the things that I thought I should've been ashamed of as a kid," Garfield said. "Sensitivity, vulnerability, a very 'feeling' nature, you know? Qualities that boys aren't allowed to really have growing up."

After trying to downplay those characteristics as he came of age, it eventually dawned on Garfield that those are actually qualities that would help him in his career.

"They've led me to playing Spider-Man," he said. "The wonderful thing about Peter Parker and what makes Spider-Man a great hero is his compassion, his humanity, his sensitivity, his care and love for others, his need to protect others and his ability to have empathy for others. And I think that's Peter Parker. That has nothing to do with Spider-Man. Spider-Man has the skill, but Peter Parker has the heart."

Source: Edition.cnn.com/2014/05/01/showbiz/movies/andrew-garfield-amazing-spiderman-2/index.html

Use St. Patrick as Inspiration for Your Hero’s Actions

Dear Friends,

Aspiring screenwriters must accustom themselves to looking everywhere for inspiration when it comes to developing a believable story arc for their hero. What are the qualities that make a hero heroic, and how can you create a persona that takes on a life of its own beyond the story itself?

The yearly over-the-top observation of St. Patrick’s Day shows what can happen with strong hero development. Even though St. Patrick himself lived about 1600 years ago, his story still resonates with followers and believers to this very day. The basics of his story, from his birth in Britain to wealthy parents, his kidnapping at the age of 16 by Irish raiders, his personal conversion to Christianity, and his eventual devotion to the Irish people, are all well-known. But what was it about his story that transcends time and culture, fostering world-wide love and adoration?

The answer is that he touched peoples’ hearts, and that is what the successful screenwriter must also accomplish with his hero. My book, The Story Solution: 23 Actions All Great Heroes Must Take, provides insights on how to construct an emotional experience that leads readers to discover for themselves the real merit of our unspoken, subtextual themes. In order to be effective, all stories must impart emotion.

The most crucial job when beginning a story is to introduce the lead in a way that fosters immediate character sympathy. An actual recipe exists, a list of nine ingredients that elicit sympathetic responses when connecting readers to your lead.  The more of these nine character attributes you include, the more emotionally effective your story becomes:

1. Courage
2. Unfair Injury
3. Skill
4. Funny
5. Nice
6. In Danger
7. Loved
8. Hard-Working
9. Obsessed

How many of these attributes were exhibited by St. Patrick, and how many are shown in the characters you are developing? If your character has less than six of these attributes, your story may be in danger. There are other qualities of character that can help create a hero an audience will want to root for, but these are the never-to-be-ignored basic nine. Use them liberally.

To help you understand more about creating heroic characters, I invite you to download a sample chapter from my book or visit Amazon.com for a look inside at some of the chapters and initial pages. The “23 Steps All Great Heroes Must Take” is an easy to understand paradigm that supportswriters and filmmakers with the interconnecting, powerful storytelling elements they need. Use my revolutionary Hero Goal Sequences blueprint for writing blockbuster movies.

Here are some videos that will help you avoid writer’s block.

• Toni Morrison talks about her motivation for writing
• Get Results!The best motivation compilation video of 2013
• Motivational quotes from the GREATS on preparation
• Will Smith shares his secrets of success

Thanks for your support of the book, god luck and Happy St. Patrick’s Day!

Eric Edson and Staff


About The Story Solution:  The Story Solution was written by accomplished screenwriter Eric Edson. It reveals the 23 actions used to create dynamic, three dimensional heroes and link all parts of a captivating screenplay. He also covers screenwriting tips, screenwriting resources, and screenwriting books. Visit the website and Facebook page for more screenwriting tips and resources.